Skip to main content
bookmark View bookmarks ()
Bookmarks
bookmark ()
The University of Edinburgh | Edinburgh College of Art
ECA Graduate Show 2022
Menu
Search
School
  • Visit ESALA
  • Architectural and Urban Design - MSc
  • Architectural Conservation - MSc
  • Architecture - BA/MA (Hons)
  • Architecture - MArch
  • Design and Digital Media - MSc/Diploma
  • Digital Media Design - MSc Online Distance Learning
  • Landscape Architecture - MA
  • Landscape Architecture - MLA
  • Visit Art
  • Contemporary Art Practice - MA
  • Fine Art - MA (Hons)
  • Intermedia - BA (Hons)
  • Painting - BA (Hons)
  • Photography - BA (Hons)
  • Sculpture - BA (Hons)
  • Visit Design
  • Animation - BA (Hons)
  • Design for Change - MA
  • Design Informatics - MFA/MA
  • Fashion - BA (Hons)
  • Film and Television - BA (Hons)
  • Film Directing - MA
  • Glass - MFA
  • Graphic Design - BA (Hons)
  • Graphic Design - MA
  • Illustration - BA (Hons)
  • Illustration - MA
  • Interior Design - BA (Hons)
  • Interior, Architectural and Spatial Design - MA
  • Jewellery and Silversmithing - BA (Hons)
  • Performance Costume - BA (Hons)
  • Product Design - BA (Hons)
  • Textiles - BA (Hons)
  • Visit History of Art
  • Visit Music
  • Mathematics and Music - BSc (Hons)
  • Music - BMus (Hons)
  • Music - MA (Hons)
  • Sound Design - MSc
 
News & Features
Student List
Curated collections
News
Yi Zhang - Architectural and Urban Design
Student feature
Jonathan Payne - Film and Television
"I enjoy the complete creative freedom that writing offers and being able to create worlds that I can explore infinitely."
Two toy sail boats on a river
What is your graduation project about?

My Graduation project Small is a short film about a shy, young boy who comes across a mysterious village deep in the forest, composed of buildings no larger than the size of his hands. As a storm fast approaches, the village is vulnerable and he must find a way to protect it.

The film is a blend of the genres coming-of-age, cosmic horror, and magical realism and was largely inspired by Studio Ghibli alongside films such as Pan’s Labyrinth (2006), and Coraline (2009).

How do you best like to work?

My approach as a director is very hands-on and I’ve worked closely on every aspect of the film, from writing, directing, and editing. I enjoy the complete creative freedom that writing offers and being able to create worlds that I can explore infinitely.

Being on board at each stage of the production means I get to see the development of the narrative. Editing is my favourite part of the process as it allows me the opportunity to see the film come together.

I like to keep my crew small so that everyone on board is fully immersed, and makes the project feel more intimate. I also like to maintain my independence as a filmmaker, rather than making something that feels commercial.

A child in a yellow coat and dark hat, standing in front of a red parasol in a forest
Can you tell us about some of the things which inspire you and your work?

A concept that I like to explore throughout my works is Mark Fisher’s The Weird and the Eerie, which is described as “A weird entity or object is so strange that it makes us feel that it should not exist, or at least it should not exist here” (Fisher, 2017).

Environmentalism and anthropocentrism are also recurring themes in my work, from which I take visual inspiration from the works of Scott Barley. I like to use extreme wide shots which portray humankind to be insignificant in scale in comparison to the environment, embodying the genre of cosmic horror.

What have been the highlights of your time at ECA and Edinburgh?

I’ve enjoyed having the creative freedom to explore my identity and pursue my passions for filmmaking. All of my lecturers have been incredibly insightful and supportive in teaching me the practical skills that are necessary for me to pursue a career in the film industry. The skills I have learned over the past four years have been invaluable to my development as a filmmaker.

How have the events over the past two years affected your work?

Covid-19 has had a tremendous impact on my work as it made production extremely challenging for my previous film Amongst the Bracken. Working alone as opposed to as part of a larger crew was a difficult transition, however, it lead me to explore atmosphere and visuals on a level I had previously not. These challenges have heavily shaped the formation of Small and it wouldn’t be the same film had I not been forced to work under the circumstances of the past few years.

Have you got plans for after graduating?

Film education is my ultimate goal after graduating and a huge focus of my work is making the genres of fantasy and cosmic horror more accessible to younger audiences. I would love to get involved with film charities and contribute to making film education more accessible to children across Scotland.

Share:
  • twitter Follow us on Twitter
  • facebook Follow us on Facebook
  • linkedin Follow us on LinkedIn
Jonathan Payne's portfolio page

Footer

2022. Edinburgh College of Art Graduate Shows

View previous years

  • Contact
  • Website accessibility
  • Freedom of information
  • Terms and conditions
  • Privacy policy
© 2022 Edinburgh College of Art. All Rights Reserved. The University of Edinburgh is a charitable body, registered in Scotland, with registration number SC005336, VAT Registration Number GB 5929507 00, and is acknowledged by the UK authorities as a "Recognised body" which has been granted degree awarding powers.