Bio

My illustration practice is rooted in fairy and folktales, inspired by the stories, music and beliefs that shaped my upbringing.  Fundamentals of my practice include whimsical characters and transcendental settings, drawing upon an early interest in fairies which was encouraged by my parents. Music also plays an essential role within my work, often employing lyrics as a narrative device or the starting point of an illustration. Music often sets the mood for my illustrations and lyrics establish the narrative while I employ documented studies of synesthesia as a creative methodology for building colour palettes.

Much of my work is process driven, I love the warmth, tactility and texture that interdisciplinary practice brings to my work. Working in such as a way has allowed me to develop a fluency between media along with a great deal of freedom over texture, colour, detail and scale. Underpinning all of this is a surreal quality that mixed media practice brings to my pieces. 

East of the Sun, West of the Moon - Embroidery Detail
East of the Sun, West of the Moon - Embroidery Detail
East of the Sun, West of the Moon - Embroidery Detail

Practical applications of my work include illustrative garments, all hand dyed and embroidered. The Maximus Waistcoat and the Saffron and Lizzy Skirt explore the lyrics of selected songs from the 1974 album "The Butterfly Ball and the Grasshopper's Feast" by Roger Glover and friends. The album was always a firm favourite of my family growing up, and gave me great scope to work with whimsical characters and settings within tactile textile pieces. 

Dirty Paws - Embroidered garments telling the story of Dirty Paws by of Monsters and Men.
Là Na Caillich
Là Na Caillich - Detail

Designed specifically for the Equinox exhibition, a small exhibition I helped to set up with other fourth year illustrators, the Là Na Caillich project explores Scottish Folklore around the spring equinox. It is said that upon the spring equinox the Cailleach, a goddess in the form of an old woman who ruled over winter and bad weather, would give up beating back the spring growth and cast her mallet aside under a Holly bush. By doing so she allows for better weather to take hold and another season to begin.

Ramson - Rewild fairy and poem.
Water Avens - Rewild Fairy
Thrift - Rewild Fairy
Clover - Rewild Fairy
Enchanter's Nightshade - Rewild Fairy

Using mono printed designs and collages textures, the Rewild Flower Fairy project studies native British Wildflowers and the flower fairies that might live alongside them. An ode to the home grown blooms on our very doorstep, this project is a celebration of local produce in opposition to the cut flower industry, and the mass importation of flowers from across the world. A more sustainable approach to floristry, why not have a look at what is growing freely around you?

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