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The University of Edinburgh | Edinburgh College of Art
ECA Graduate Show 2022
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Yi Zhang - Architectural and Urban Design
Student feature
Hannah Cash - Contemporary Art Practice
"Being able to have a sense of community in the studios has been key to the development of my work, to discuss and learn from each other’s work."
A photo of a person in a forest, with their head behind a tree.
What is the title of your graduate show work?

'Draw the body back in to me' / 'Dod â’r corff yn ôl i mewn i mi' (Welsh title).

What is the project about?

The work I’m showing at the graduate show is an installation that incorporates sculpture, film and audio work.

The work focuses on the notion of materiality and physicality between bodies and the space surrounding. Working collaboratively with my twin sister Jasmine, we question how the body is viewed and try to test and expose possible choreographic opportunities or moments of difficulty and awkwardness for the body.

My work is activated by the presence of a body; the viewer becomes hyper aware that they are watching something and that their interaction with the work may be watched.

There is an ongoing dialogue between the body in the space and the body that is referenced in the work, using moving image as a material to manipulate through digital choreography.

How do you best like to work?

My practice is drawn from a first-hand empirical way of working.

The work embodies an archival approach – a wealth of collected material is consistently presented, scrawled over, interpreted, unravelled and questioned.

I am very much an artist who is constantly in the studio, my practice is broad and multidisciplinary which allows me to work collaboratively with other artists, which is really exciting and keeps the work fruitful.

Can you tell us about some of the things that inspire you and that have influenced you during your studies?

I work collaboratively with my twin sister which means I frequently return home to North Wales to conduct research and collect photography and footage to work from in the studio. The terrain and landscapes are something I frequently draw on and return to within my work.

I also work collaboratively with other artists from Wales to create audio work. It is key to me to work and respond to others and Welsh culture.

I have also been inspired by my course mates. Being able to have a sense of community in the studios has been key to the development of my work, to discuss and learn from each other’s work.

I have also enjoyed learning from the technicians at ECA, developing new material and practical knowledge of processes I hadn’t known previously.

A black and white image of a rocky surface
What have been the highlights of your time at ECA and living in Edinburgh?

Some of my highlights while studying at ECA have been the group exhibitions with my course mates at Whitespace and Embassy gallery.

Engaging in and networking with the Edinburgh art scene has also been a highlight.

Do you have any plans for after graduation?

I hope to stay in Edinburgh and be able to get a studio here and grow contacts across Scotland.

I’m also hopefully going to visit the Venice art Biennale; I particularly want to see Scotland in Venice exhibition.

I’m also planning to create and design a Welsh language zine named Flow/Llif which will feature female artists that are practicing in Wales or Scotland, whose practices engage with the landscape or language in one way or another.

Is there anything you’d like to add?

I have been the recipient of three awards; the Andrew Grant Scholarship, awarded by Edinburgh College of Art (2021); Yorkshire Graduate award, awarded by Yorkshire Sculpture Park (2019); and the Young Artist Scholarship, awarded by the National Eisteddfod of Wales (2019). I have recently exhibited at Y Lle Celf at the National Eisteddfod of Wales.

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