Hannah Cash
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35mm film photograph, Ynys Llanddwyn (2022)
Sand cast glass with phone (2022)
35mm film photograph printed on paper and mounted on to stucco aluminium (2022)
Pewter cast of an electrical wire (2022)
Yorkshire Sculpture Park exhibition showing residency work (2021)
35mm film photograph, Ynys Llanddwyn (2022)
35mm film photograph Ynys Llanddwyn (2022)
35mm film photograph of the Glyderau (2022)
Moving image screenshot, at Y Lle Celf at The National Eisteddfod of Wales (2022)
Moving image screenshot, at Y Lle Celf at The National Eisteddfod of Wales (2022)
Carved limestone and pewter casts, at Y Lle Celf at The National Eisteddfod of Wales (2022)
Carved limestone and pewter casts, at Y Lle Celf at The National Eisteddfod of Wales (2022)
Yorkshire Sculpture Park exhibition showing residency work (2021)
35 mm film photograph (2021)
35mm film photograph of the Glyderau (2022)
Pewter cast of an electrical wire and sand cast glass (2022)
Plasma cut steel, choreographic scores (2021)
My practice is drawn from a first-hand empirical way of working, this can be reflected through the use of choreography, moving image and sculptural installations. The work focuses on the notion of materiality and physicality between bodies and the space surrounding. Working collaboratively with my twin sister Jasmine we question how the body is viewed and try to test and expose possible choreographic opportunities or moments of difficulty and awkwardness for the body. I am interested in embracing the difficulty of physical separation to my collaborator; remote yet synchronous recorded interaction offer paths to new work.
The work embodies an archival approach, this wealth of material is consistently presented, scrawled over, interpreted, unravelled and questioned. Seeking to visualise a tactile relationship between the body and its environment. The constant reconfiguring of one’s understanding, of how to interact with and relate to environments. My work is activated by the presence of a body, reflecting an ongoing dialogue between the body in the space and body that is referenced in the work, using moving image as a material to manipulate through digital choreography.
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