TEOTL // WORSHIP

Project Description

An original concept for a costume-centred dance short film, 'Teotl // Worship' explores Mexico’s pre-hispanic ancestors, colonisation and religious syncretism. The costumes unearths the influence of indigenous deities, beliefs, and rituals in modern Mexican Catholicism.

Guadalupe from 'Teotl // Worship'

Guadalupe is inspired by La Virgen de Guadalupe, one of the most powerful symbols of Mexican identity and Catholic faith in Mexico. According to the legend, a brown-skinned Virgin Mary appeared to the indigenous peasant Juan Diego in 1531, asking him to have a temple built on the hill of Tepeyac, at the time site of worship for the mother deity Tonatzin. The Spanish Archbishop, at first sceptical, was convinced after a series of miracles. Ordered by Guadalupe, Juan Diego found castilian roses on the barren hill as proof, which upon falling out revealed the image of the Virgen de Guadalupe imprinted on his cloak.

My costume sheds light on the layers of meaning behind Guadalupe’s unique iconography, emphasising the Indigenous symbolism. The blue-green colour of her mantle was reserved for the divine creator couple of the Nahua people. Since ‘Tonantzin’ was a title given to all female deities, I chose to represent the different iterations as a visual narrative on her skirt, in the style of codices which hold knowledge of pre-columbian ways of life. Tonantzin is often associated with the serpent, which inspired me to place stylised serpent motifs. The headpiece combines the aesthetics of a ritual headdress, shrine offerings of flowers and maize, and the Christian aureola.

Costume inspired by La Virgen de Guadalupe (Virgin Mary) and indigenous (Mexica) mother Goddess Tonantzin. She is wearing a wrap skirt embellished with colourful ribbons, traditional cambaya, embroidery, beadwork, a precious stone necklace, an emerald veil with eight-pointed golden stars, a headdress made of culturally significant flora and fauna such as cempasuchil, castilian roses, cuna de moises, maize, serpents, palm leaves, tear-shaped crystals. It is framed by a light blue halo and golden rays. expand
PINOCCHIO!!

Project Description

This project is my own adaptation of the classic children’s novel, intended as an immersive theatre experience to be performed in primary schools. Inspired by the New Yorker article by Clancy Martin, ‘What the Original Pinocchio Really Says About Lying’, this project re-imagines the figure of Pinocchio as a child with ADHD whose struggles are interpreted as ‘naughty’ behaviour. Building on the educational intention of the original narrative, the aim of ‘Pinocchio!!’ is to raise awareness about ADHD, debunk myths and stereotypes, and build empathy through the staging of the lived experience of ADHD.

Since the play would be performed in the classroom, the costumes would be the main world-building element. While they loosely reference Walt Disney’s Pinocchio, they are firmly grounded in contemporary garments and trends. I designed the costumes in a style that is fun and engaging through bold colours, varied textures and prints. Each character has its own motif, pattern and includes digitally printed coloured pencil doodles, reminiscent of children’s drawings and book illustrations. Since ADHD brains tend to have a ‘lower filter’ for sensory information, Pinocchio’s costume features all patterns and motifs, in addition to her own, the squiggly line (which represents excitement and a wandering mind).

Cricket from 'Pinocchio!!'

Cricket is Pinocchio’s friend and mentor. Her costume transforms from the Blue Fairy by swapping the fairy wings out for a tailored jacket with winged sleeves, and her tiara for a hat with antennae. Textiles created for this costume include the fusion of two tones of shimmering fabric, gocco-printing of insect wing patterns onto Harris Tweed, and sewing pleats into the leatherette used for the bodice of the jacket.

Costume inspired by Jiminiy Cricket in Pinocchio. Cricket is standing sideways, glancing over her wings. She is wearing ombre trousers, a green leatherette jacket with wings instead of sleeves, wing-shaped glasses, and a hat with antennae. expand
Costume Illustrations Lineup for Pinocchio. Cricket
Skills & Experience
  • Hidden Door Creative Collaboration with Róisín O'Brien, Rowan McIlvride and TrenchOne l Edinburgh 2022
  • Costumes l EMENVI Performance Team Benidorm Bachata Congress l 2022
  • Costumes l Performance Team Edinburgh University Salsa Society l 2022
  • Intern l Luise Zücker x Perlensau, Berlin Fashion Week l 2021
  • Intern l SPRAF Art Restoration l Toluca, Mexico, 2021
  • Costumes l Save Our Seas Exhibition for Edinburgh Science Festival l 2020
  • Costumes l Short Film "Unsupervised Fleeting Oldtimers" by Cheery Ng l Edinburgh 2019
  • Construction l "The Government Inspector" l Edinburgh 2018
  • Costumes l Short Film "Phantasy" for Edinburgh Science Festival l 2018
  • Costumes l Short Film "Cold Shoulder" by Brooks Hudgins l Edinburgh 2018
  • Dresser l "Hello Dolly!" King's Theatre l Edinburgh 2017
  • Intern l Pletzinger, Berlin Alternative Fashion Week l Berlin 2017
  • Intern l Schaubühne Berlin, Festival der Internationalen Neuen Dramatik l Berlin 2016