Three acrylic sheets coated with acetate photographs of meat and the human body, suspended from meat hooks.
Humphrey, Olivia, Growing Pains 2022
Small rubber, flesh-colored cast sculptures of small, isolated body parts.
Humphrey, Olivia, Strange Fruit, 2022
An oil painting of a chunk of meat.
Humphrey, Olivia, Pound of Flesh (close up), 2022
An oil painting of a square chunk of meat.
Humphrey, Olivia, Pound of Flesh (close up), 2022
An oil painting of a chunk of meat.
Humphrey, Olivia, Pound of Flesh (close up), 2022
A painting of oysters and a cast of a hand protruding from the wall.
Humphrey, Olivia, Won't You Try Our Local Delicacy?, 2022
5 oil paintings on canvas of meat studies.
Humphrey, Olivia, Pound of Flesh, 2022
An oil painting of a chunk of meat.
Humphrey, Olivia, Pound of Flesh (close up), 2022
An oil painting of a chunk of meat.
Humphrey, Olivia, Pound of Flesh (close up), 2022

Focusing largely on studies of flesh - both human and animal - Olivia Humphrey's multimedia art practice divulges a fascination with concepts of anatomy, consumption and seduction, listing Jo Spence, Joan Semmel and Betty Tompkins as influences. She compares the manner in which we eat meat and animal products with society’s consumption of the female form. The innate sensuality that these themes offer infuses her work, betraying a savage pleasure that accompanies both physical and sexual hunger. Applying close anatomical research to painting, sculpture and drawing, Humphrey’s attentive works subtly uncover subliminal patterns in cultural perceptions of the modern woman.