Related, Origins, & Green Finger: installed as a triptych

Oil paint , oil bar, acrylic and paper

30 x 40 cm

2022

'Related, Origins and Green Finger' Triptych: A4 canvas, paper, oil bar and acrylic
Kissing Fish

Oil paint, paper, oil bar on canvas 

30 x 40 cm 

2022

'Kissing fish' : A4 canvas, paper and acrylic
Fine Balance

Paper on board

900 x 600 mm

2022

'Fine balance': Paper on board, 900 x 600 mm
DANCING

Paper on board

900 x 600 mm

2022 

'DANCING': paper in board, 900 x 600 mm
Merge of yellow

Acrylic, oil paint, oil bar and paper on canvas 

1500 x 1000mm

2022

'Merge of yellow' : Paper, acrylic, oil paint, oil bar on canvas, 1500 x 1000 mm
Obliterated painting

Acrylic, oil paint, oil bar and paper on canvas

1500 x 1000mm

2022

'Obliterated painting' : Acrylic, oil paint, oil bar and paper on canvas,1500 x 1800 mm
A red painting

Acrylic, oil paint, oil bar and paper on canvas 

130 x 190m

2022

'A red painting' : paper, acrylic, oil paint on canvas,130 x 190 m
Long collage

Oil paint, paper and oil bar on canvas 

220 x 100 m

2022

'Long Collage' : Paper and acrylic and oil paint on canvas, 220 x 100 m
Paper cuts 31 and 32 : installed as a diptych

Paper on board 

1800 x 1200 mm

2022

 

'Paper Cuts 31 and 32' : Paper on board, 1800 x 1200 mm
Landscape collage

Paper on canvas

A4

2022

'Landscape Collage' : Paper on A4 canvas
Orange collage

Paper on canvas 

A4

2022

Orange collage: paper on canvas
A grey collage

Paper and oil bar on canvas 

60 x 80 cm

2022

'A Grey Collage': Paper on canvas with oil bar, 60 x 80 cm
Artist statement

I paint by drawing on internal feelings or emotions rather than outward observation. My painting leans more towards the spontaneous and intuitive than the pre-mediated or planned. I am looking to find the right combination of form, shape and colour to create a composition or an arrangement within a space of the confines of a canvas. This puts particular importance on the choice of colour and the gestures I make. The marks and lines and placing of paint is an external mapping of my internal thinking. I am always searching for the visceral correctness or rightness of a painting. This is based on an intuitive feel for the balance of a composition.

 

I come closest to planning when drawing smaller works. They are effectively ‘plans’ for bigger pieces in which I might conflate drawing and painting. This enables me to bring a drawing methodology into the larger canvases, by mixing paint and pastel and more recently, collage. The introduction of collage has allowed me to challenge my  understanding of the paintings. It is more of an agile and controlled way of making compositions, enabling me to bring out what is most essential in the work. The discipline of this restraint frees me to be more candid with my paintings and collage and the combination of both. 

 

I am drawn to an abstract language that tries to resolve a painting through feeling rather than forced thinking. We receive a lot of information and outward visual stimulation – we’re constantly bombarded by images through our various screens and are always being forced to think this or feel that. My ongoing practice is both a personal resistance to this need to react and explain everything. It wants to give the viewer permission to feel without having to explain; as well as being a search for the elemental things that make for order and equilibrium.

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Painting - BA (Hons)

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