Oil paint , oil bar, acrylic and paper
30 x 40 cm
2022
Oil paint, paper, oil bar on canvas
30 x 40 cm
2022
Paper on board
900 x 600 mm
2022
Paper on board
900 x 600 mm
2022
Acrylic, oil paint, oil bar and paper on canvas
1500 x 1000mm
2022
Acrylic, oil paint, oil bar and paper on canvas
1500 x 1000mm
2022
Acrylic, oil paint, oil bar and paper on canvas
130 x 190m
2022
Oil paint, paper and oil bar on canvas
220 x 100 m
2022
Paper on board
1800 x 1200 mm
2022
Paper on canvas
A4
2022
Paper on canvas
A4
2022
Paper and oil bar on canvas
60 x 80 cm
2022
I paint by drawing on internal feelings or emotions rather than outward observation. My painting leans more towards the spontaneous and intuitive than the pre-mediated or planned. I am looking to find the right combination of form, shape and colour to create a composition or an arrangement within a space of the confines of a canvas. This puts particular importance on the choice of colour and the gestures I make. The marks and lines and placing of paint is an external mapping of my internal thinking. I am always searching for the visceral correctness or rightness of a painting. This is based on an intuitive feel for the balance of a composition.
I come closest to planning when drawing smaller works. They are effectively ‘plans’ for bigger pieces in which I might conflate drawing and painting. This enables me to bring a drawing methodology into the larger canvases, by mixing paint and pastel and more recently, collage. The introduction of collage has allowed me to challenge my understanding of the paintings. It is more of an agile and controlled way of making compositions, enabling me to bring out what is most essential in the work. The discipline of this restraint frees me to be more candid with my paintings and collage and the combination of both.
I am drawn to an abstract language that tries to resolve a painting through feeling rather than forced thinking. We receive a lot of information and outward visual stimulation – we’re constantly bombarded by images through our various screens and are always being forced to think this or feel that. My ongoing practice is both a personal resistance to this need to react and explain everything. It wants to give the viewer permission to feel without having to explain; as well as being a search for the elemental things that make for order and equilibrium.